6 Strumming Patterns Every Beginner Should Know
Knowing the chords is only half of playing a song – the strumming pattern gives it its rhythm and feel. These six patterns cover most pop, rock and folk songs. Practise each one on a single chord before you use it in a song.
How strumming notation works
D means a downstroke (towards the floor) and U means an upstroke. Most songs are in 4/4 time, with four beats per bar, counted 1 & 2 & 3 & 4 &. Downstrokes fall on the numbers and upstrokes fall on the "&".
The most important rule: keep your hand moving down and up all the time, like a pendulum, even when you don't hit the strings. Skipping a strum while the hand keeps moving is what keeps you in time.
The six patterns
1. All downs D D D D
1 2 3 4
2. Down-up D U D U D U D U
1 & 2 & 3 & 4 &
3. Folk pattern D D U U D U
1 2 & & 4 &
4. Pop ballad D D U D D U
1 2 & 3 4 &
5. Rock push D D D U D U
1 2 3 & 4 &
6. Waltz (3/4) D D U D U
1 2 & 3 &- Pattern 1 is perfect for your first songs and for slow changes.
- Pattern 2 builds the constant down-up motion. Play it softly and evenly.
- Pattern 3 (D – D U – U D U) is the most useful pattern in acoustic pop and folk. The missing strum on beat 3 gives it its bounce.
- Pattern 4 fits slow and mid-tempo ballads.
- Pattern 5 adds energy to rock songs; accent the downstrokes.
- Pattern 6 is for songs in 3/4 time, counted 1 2 3.
How to practise
- Mute the strings with your fretting hand and practise the pattern as pure rhythm.
- Set the metronome to 60–70 BPM and count out loud.
- Play the pattern on one chord for a whole minute without stopping.
- Add a chord change every two bars, then every bar.
- Raise the tempo by 5 BPM only when the pattern feels effortless.
Choosing a pattern for a song
Listen to the drums in the recording: the snare usually hits on beats 2 and 4, and your strongest strums should match it. When a song page lists a strumming pattern, start with that one; otherwise try pattern 3 for acoustic songs and pattern 5 for rock. Simplifying is fine – a steady simple pattern always sounds better than a complex one that breaks the rhythm.